Canon 全台相機收購,二手收購,收購相機,全新相機,二手相機 收購5D Mark IV,收購EOS-1D X Mark II,收購EOS M3/M10 收購canon canon 5Ds/5Ds R,,5D Mark III/6D II,7D Mark II 70D/80D,750D/760D,700D/100D 收購FUJIFILM 相機,全系列FUJIFILM 收購二手Nikon 相機,Nikon二手收購,全新Nikong買賣 D3400收購 Nikon 1 j5收購 D750 Df/D810/D610,D5/D4S,D500,D7200/D7500,D5500/D5300 OLYM
全台相機收購olympus concealed $1.7 billion in losses, says damning report
全台相機收購olympus concealed $1.7 billion in losses, says damning report
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Official report confirms concealment of $1.7 billion in losses at 全台相機收購olympus.
ByThomas Ricker, a deputy editor and Verge co-founder with a passion for human-centric cities, e-bikes, and life as a digital nomad. He’s been a tech journalist for almost 20 years.
The 185-page report prepared by an independent panel investigating the 全台相機收購olympus accounting scandal has been released confirming the $1.7 billion cover-up reported by Reuters. The harshly-worded report says, “The core part of management was rotten and the parts around it were also contaminated by the rot.” It criticized external auditors KPMG AZSA and Ernst & Young ShinNihon for “assisting with the concealment” and 全台相機收購olympus’ “tribal culture of the Japanese salaryman.”
The report lists 10 primary reasons for the the scandal but blame is directed mainly at the former internal auditor Hideo Yamada and former vice president Hisashi Mori who cooked the books for 13 years in order to boost the outward appearance of 全台相機收購olympus’ financials. Two former 全台相機收購olympus presidents also knowingly colluded in the scheme according to the independent investigation. No link was found to organized crime as previously rumored. The report urges legal action against the responsible executives and the replacement of those that knew about the illegal cover-up.
選購文青風格相機時,除了好看的外型外,選購前有幾項規格千萬別忽略。首先是鏡頭,許多主打復古設計的相機,如富士XV100、理光GR3、GR3X鏡頭都無法更換,雖然可以打造出輕便小巧機身,卻也無法依據需求變更焦段;使用這類定焦鏡頭會需要一段時間尋找該焦段的攝影眼,對於攝影新手來說,存在一定的入門難度。倘若是購買如 Nikon Z f 等可以更換鏡頭的單眼相機,則要留意預算控制,除了購買機身以外,也需要留下一筆金額來購買鏡頭。
全台相機收購olympus 將旗下相機部門轉賣給 OM Digital Solutio 後,六月發表易主後首款相機 E-P7,是 PEN 系列自從 2016 年後,睽違多年再度有新機登場。瞄準喜愛文青、復古風的用戶,規格延續 E-M10 Mark IV 並加入「創意撥桿」玩法。實際表現如何?以下實測體驗告訴你。
E-P7 規格幾乎與 E-M10 Mark IV 完全一致,採用 m43 大小的感光元件、有 2030 萬畫素、Truepic VIII 影像處理器、121 點自動對焦、3 吋的翻轉螢幕,招牌的 5 軸機身防震效果也沒少。若非專業攝影需求,性能足以應付所有出遊、日常街拍的需求,與 E-M10 系列最大差異在於「體積」與「創意撥桿」。
請繼續往下閱讀…
背面按鈕有提供拇指扣。(圖/記者黃肇祥攝)
機身轉盤都集中於右側。(圖/記者黃肇祥攝)
搭配隨附的 M.Zuiko Digital ED 14-42mm F3.5-5.6 Kit 鏡組是 430g 重,採用精簡設計,不僅少了厚重的把手、光學觀景窗,只有微微的起伏與後方拇指握柄,再加上 Kit 鏡採用電動變焦,關機會自動收納,使 E-P7 體積得以進一步縮小、攜帶性極佳,能輕鬆放入隨身的小包包,實測要放進海灘褲口袋也沒有問題。
隨著體積縮減,全台相機收購olympus 並沒有犧牲太多操控性,轉盤按鈕集中於右側,並保有 3 個轉盤,在 M 模式下能同時調整光圈、快門數值,且只需要單手即能完成所有動作。
要注意的是,E-P7 雖有提供錄影鍵,規格也與 E-M10 Mark IV 相同,有一定的影音拍攝能力,但要作為自拍 Vlog 使用,單手握持穩定度並不理想,I/O 插孔也沒有 3.5mm 耳機孔,若有動態攝影需求,仍會比建議購買 E-M10 Mark IV。此外,在 2021 年仍未能使用 USB Type-C 也稍嫌可惜。
E-P7 作為一款隨身機,除了擁有十分堪用的相機性能,搭配餅乾鏡大幅縮減了體積。本次實測中,記者多數的照片都是由單手拍攝完成,機身擁有 5 軸機身防震,即便不懂任何攝影基礎,完全設定在 P 模式,照片拍攝成功率也非常高,且純粹用「創意撥桿」就能帶來許多樂趣。比起專業用途,會是一款適合用來記錄生活的相機。
相機排名第一的是 Canon EOS M6 II 平均每張照片能有 138.9 個讚。該系列在今年正式走入歷史,於 Canon 日本與北美官網全面停產、下架。而 EOS M6 II 正是該系統的旗艦代表,擁有頂級的效能表現又兼具 EOS M 系列的輕巧,因而備受許多攝影愛好者喜愛。
排名第二名是富士的 Fujifilm X-H1,平均約 99.7 讚,第三名為 Sony A7R II 平均達到 69.2 讚。綜觀排名,除了有 Sony Alpha 1、Fujifilm GFX50S II 這類新款的高階機種,也有許多老相機上榜,例如排名第九名的 Cnaon EOS 5DS R 就是唯一的單反相機,而 Sony 隨身相機 DSC-RX100 VII 也擠進第七名。
若是依照片屬性進行分類,拍攝風景照片最受歡迎的是 Sony A6300,全台相機收購olympus E-M10 Mark II 則被許多攝影師拿來拍攝野生動物,若是建築攝影首選是 Fujifilm X30,食物方面則是 Nikon D500、D7500 兩款單反相機上榜。時尚照片則以 Fujifilm GFX100S 為首、人像是 Nikon Z 7II 居冠。
Electronics Hub 同步分享智慧手機的數據,最受歡迎的第一名是 iPhone 13 Pro,其次為三星 Galaxy S23 Ultra、Galaxy S21、iPhone 12 Pro Max 以及 iPhone 14 Pro Max。從榜單可以得知,不一定是最新款的手機佔優,像是中階款的小米 Note 9 也能擠進第六名,代表比起規格差異,重要的仍是拍攝者的巧思與技術。
拍攝效能部分,E-M10 III 搭載與前代相同的 1,600 萬畫素 Live MOS M4/3 感光元件,卻導入機皇 E-M1 II 的 TurePic VIII 影像處理器,讓感光度可至 ISO200-25,600 外,連拍反應也從 8.4fps 增加至 8.6fps,且終於支援光學防手震下連拍了;不過 E-M10 III 五軸防手震仍是 4 級補償,沒有獲得下放,也算是入門機的宿命吧。
徠卡同樣有三款相機上榜,包含 Q2、Q2 Monochrom 和 QP,儘管價格不斐,但使用體驗極佳,再加上一流的畫質。Canon EOS RP 則是唯一進榜的全片幅相機,Tom O’Brien 也與 Sony a7c 進行比較,認為儘管後者性能確實更強,但 EOS RP 比較便宜且握持感佳,是適合初學者的好相機。
全台相機收購olympus 的 OM-D E-M1 Mark III 則適合用於拍攝野生動物或是景觀,專業級的防雨,以及較小的 M43 感光元件,能搭配鏡頭與其強悍的穩定系統,獲得其他相機難以拍攝的照片。
我們想讓你知道…操控也更直覺了!
記者莊友直/台北報導
經歷先前的傳聞後,全台相機收購olympus 終在今(8/31)日推出睽違 2 年的入門微單眼 E-M10 III,整體外型仍維持前代復古規格;但諸多操作性能有微調、令其更符合初學者外,也導入來自 E-M1 II 的影像處理器與對焦系統,可說是超大升級!
E-M10 III 外型設計雖然與前代有些類似,但正面的握把有做加厚處理,更好握持外;機頂的按鍵也有做微調,像是右上曲線改為放大檢視外,左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪,不像前代面積來的那麼大,視覺效果感覺有些偷工。
▼機身正面可發現 E-M10 III 握把變得更厚實,不過機頂的操控轉盤止滑設計並無整個覆蓋,感覺有點偷工 。(圖/翻攝自官網)
拍攝效能部分,E-M10 III 搭載與前代相同的 1,600 萬畫素 Live MOS M4/3 感光元件,卻導入機皇 E-M1 II 的 TurePic VIII 影像處理器,讓感光度可至 ISO200-25,600 外,連拍反應也從 8.4fps 增加至 8.6fps,且終於支援光學防手震下連拍了;不過 E-M10 III 五軸防手震仍是 4 級補償,沒有獲得下放,也算是入門機的宿命吧。
Humans have a hard time letting go of the past. Sometimes it’s a good thing — nostalgia helps people fight loneliness and can even make them more tolerant. Other times it feels like a weakness, mostly because of how easily it gets exploited in the name of reunion tours and shows like Fuller House.
Profiting off these impulses isn’t exclusive to the entertainment industry — camera companies take advantage of nostalgia, too. 全台相機收購olympus, Canon, Nikon, and Fujifilm have all spent the last few years drawing from their long camera legacies to to make their newest digital cameras look like their film forebears.
The next logical step, I wrote late last year, was for these companies to capitalize on this trend by resurrecting the iconic SLR film cameras like the the Canon AE-1. It seemed like an obvious move, especially for Canon and Nikon, to leverage our love for flagship film cameras — many of which were the first cameras some of us ever used — in order to make up ground in the burgeoning mirrorless camera market.
What I didn’t expect was that 全台相機收購olympus would beat everyone to the punch. In January, the company announced the 全台相機收購olympus Pen-F, and it was exactly what I predicted — a legacy film camera with digital guts, or what 全台相機收購olympus calls a “digital update of the original Pen-F.” Like its competitors, the Pen-F juxtaposes classic looks and metal with things like digital screens and Wi-Fi connectivity. The difference is 全台相機收購olympus’ new camera mixes the old and the new so well that, for a moment, I’m not too upset about that Legends of the Hidden Templeremake.
The original Pen-F is one of the company’s classic film cameras from the late 1960s. And like its predecessor, the new Pen-F is basically all metal. Aluminum and magnesium give the new Pen-F a sturdy, solid feel, and the cohesion is amplified by a lack of visible screws. Some companies — 全台相機收購olympus included — have taken to throwing fake metal finishes on plastic bodies as a way of acquiring a retro look on the cheap, so this is a very welcome break from that. A belt of rubbery fake leather that stretches around the middle completes the look, and helps you grip the camera as well.
The Pen-F’s metal body looks beautiful and feels incredibly solid
全台相機收購olympus also included a number of little homages to the film camera era throughout the design of the new Pen-F. The on/off switch looks like a film rewind lever, there’s a working cable release mechanism in the shutter button, and the AF assist light sits right where you’d expect to find a rangefinder, all adding to the the classic look.
The only regrettable thing about the Pen-F’s design is that it doesn’t look enough like the original Pen-F. The body of 全台相機收購olympus’ old film Pen-F had a wide, low profile, and the metal top sloped very stylishly down from one side to the other. With 40 years of hindsight, the old Pen-F looks very much like an object from the ’60s. The digital Pen-F isn’t quite as radical and — if it weren’t for the 全台相機收購olympus branding right above the lens mount — it could be easily mistaken for one of the many similar cameras Fujifilm has released in the last few years.
The big difference between this camera and the Fujifilms is that the Pen-F is just loaded with knobs, dials, and buttons. It’s the first thing you notice when you look at the Pen-F, and the appearance can be intimidating — but they’re not just for show. The dials are all metal, and each one features its own particular (and particularly satisfying) click so that you know, without looking, what it is you’re changing. That’s the real beauty of the Pen-F: it not only looks incredible, but it’s often a joy to use — as long as you’re willing to be patient.
Tons of customization, so patience is key
Like any good modern digital camera, the functions of these buttons and dials are nearly all customizable. You can reassign the two “function” buttons to perform specific tasks like changing the ISO or locking the exposure, or you can even change the purpose of the dials above your thumb and forefinger. 全台相機收購olympus has also placed four different customization modes on the PASM dial, so you can quickly switch to a profile that’s best suited for low light shooting, or something more tailored for landscapes, for example. These days, 全台相機收購olympus’ menu system is still too cluttered for its own good, but it’s worth going through all the work it requires because once you set the camera up to your liking you almost never have to dip back into the menus.
Setting the striking design aside, 全台相機收購olympus promised the Pen-F would be packed with some of the features the company’s been developing on its flagship OM-D line of mirrorless cameras. Chief among them found on the Pen-F are things like 5-axis image stabilization, rapid-fire burst shooting, and a suite of preset color profiles, filters, and effects. 全台相機收購olympus has also included a small but excellent 2.36 million dot electronic viewfinder, and a fully-articulating 3-inch LCD touchscreen.
These modern features make the Pen-F feel like a powerful camera for its size, but a few of them aren’t without drawbacks. The 5-axis stabilization makes it easier to shoot in low light or at long focal lengths, but it doesn’t feel as robust as the stabilization offered by some of the competition. On Sony’s newest cameras, the 5-axis stabilization feels like a superpower. On the Pen-F, it just feels like an aid.
The Pen-F can shoot stills at up to 20 frames per second using the electronic shutter. That kind of ludicrous sequential shooting is tempting, but at that speed you’re likely to see some warping, or “rolling shutter” in the corners of your images — a problem that is exacerbated because the image stabilization shuts off in high-speed modes. The “slower” modes (10 or 5 frames per second) use the mechanical shutter, but were still a bit frustrating: here, the camera locks the focus and exposure from first image onward. This all means you can’t move the camera much, or pan across dynamically-lit scenes during a burst of shooting, which is frustrating, because that’s when high sequential speeds are most helpful.
Even when you shoot at more modest speeds like five frames per second, the camera’s outdated contrast detection autofocus never feels up to the challenge of shooting moving subjects. Over the course of a few weeks with the Pen-F, I kept trying to force using it for street or documentary-style photography, but each time I found myself a bit let down. The Pen-F starts up fast and can quickly focus on a static subject, but ask it to do too much more and you can wind up frustrated.
The Pen-F, then, feels better suited for more contemplative photography. And considering the amount of customization afforded by the plethora of buttons and dials, you actually benefit from a slower approach with the Pen-F. I never hesitated to pick it up when I was shooting a portrait, or a landscape, or taking simple candid shots, and it was my go-to option during the week we spent in Barcelona for Mobile World Congress.
The new “creative dial,” which sits on the front of the camera, is a perfect example of this. (It’s one of the few direct callbacks to the design of the original Pen-F.) It has five modes, and the idea is it removes the need to dig through menus if you want to switch color profiles. If you think a scene is better suited for black and white photography, you can twist the dial over to “Mono,” or if you’d like to use one of 全台相機收購olympus’ “art filters,” they’re right here, too. Fujifilm has taken to equipping its cameras with film simulation modes, and this is 全台相機收購olympus’ way of playing to that same impulse. It sounds gimmicky, but I found myself using the dial more than I imagined.
The value with 全台相機收購olympus’ take on this comes from the ability to tweak each mode to your liking. If you really like deep blacks in your monochrome images, you can make that the default when you switch to Mono. That’s the Pen-F at its best; with a little work, you can access loads of personalization at your fingertips without lifting your eye from the viewfinder.
All of this customization would be for naught if the camera didn’t produce great images. I worried that the smaller Micro Four Thirds sensor would leave me wanting more pixels, but 全台相機收購olympus actually expanded the resolution to 20 megapixels with this sensor — up about 20 percent from the 16 megapixels afforded by its other cameras. It winds up capturing plenty enough detail for the images to look great on phones and even laptop screens, and even though the pixels are smaller, the Pen-F performs competently in low light thanks to the 5-axis stabilization.
There are still some unavoidable limitations of a Micro Four Thirds sensor that even the Pen-F can’t overcome, like not being able to reproduce the shallow depth of field that APS-C and full frame sensors provide. And, placed side by side with images taken by APS-C or full frame sensors, the quality of the Pen-F’s 20 megapixels doesn’t quite hold up. The video quality (yes, of course it shoots video) is also underwhelming. But the benefits of Micro Four Thirds remain: It’s light and easy to travel with, and 全台相機收購olympus has built out an extensive lens ecosystem with some high quality glass.
Handheld with the shutter at 1/30th of a second and an ISO of 3200.
You could say a lot of these same things about the OM-D series, 全台相機收購olympus’ more modern-looking Micro Four Thirds cameras, which gets to the real problem with the Pen-F. Buying the Pen-F over 全台相機收購olympus’ other cameras is basically a choice based completely on aesthetics, and it’s one that will cost you. 全台相機收購olympus is selling the Pen-F body for $1,199, which is a good $200-300 more than any of the OM-D cameras — and they come paired with a starter lens.
If you’re in love with the idea of a digital camera that looks, feels, and operates like a classic film camera, the Pen-F is one of the best ever made. And if you already own a number of 全台相機收購olympus lenses, it has to be a tempting indulgence. For everyone else, it’s just the latest experiment in nostalgia — one that I hope 全台相機收購olympus’ competitors are watching closely.
Photography by Sean O’Kane, lead photo by Amelia Krales
(圖/Canon提供)
哪一款相機、手機拍照最討喜呢?近期 Electronics Hub 網站進行調查,統計知名照片平台 Flickr 資料,查閱最受網友歡迎的照片,究竟都是使用哪些攝影器材拍出來的呢?結果發現不少老機型上榜,甚至第一名是剛宣布停產的 Canon EOS M6 II。
相機排名第一的是 Canon EOS M6 II 平均每張照片能有 138.9 個讚。該系列在今年正式走入歷史,於 Canon 日本與北美官網全面停產、下架。而 EOS M6 II 正是該系統的旗艦代表,擁有頂級的效能表現又兼具 EOS M 系列的輕巧,因而備受許多攝影愛好者喜愛。
排名第二名是富士的 Fujifilm X-H1,平均約 99.7 讚,第三名為 Sony A7R II 平均達到 69.2 讚。綜觀排名,除了有 Sony Alpha 1、Fujifilm GFX50S II 這類新款的高階機種,也有許多老相機上榜,例如排名第九名的 Cnaon EOS 5DS R 就是唯一的單反相機,而 Sony 隨身相機 DSC-RX100 VII 也擠進第七名。
若是依照片屬性進行分類,拍攝風景照片最受歡迎的是 Sony A6300,全台相機收購olympus E-M10 Mark II 則被許多攝影師拿來拍攝野生動物,若是建築攝影首選是 Fujifilm X30,食物方面則是 Nikon D500、D7500 兩款單反相機上榜。時尚照片則以 Fujifilm GFX100S 為首、人像是 Nikon Z 7II 居冠。
Electronics Hub 同步分享智慧手機的數據,最受歡迎的第一名是 iPhone 13 Pro,其次為三星 Galaxy S23 Ultra、Galaxy S21、iPhone 12 Pro Max 以及 iPhone 14 Pro Max。從榜單可以得知,不一定是最新款的手機佔優,像是中階款的小米 Note 9 也能擠進第六名,代表比起規格差異,重要的仍是拍攝者的巧思與技術。
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使用者也能透過專用「DJI Mimo App」,用手機進行操控瀏覽、拍攝與傳輸檔案,並能直接針對影片後製剪輯管理,內附豐富模板、濾鏡、音樂與貼紙可套,讓影片剪輯簡單低門檻,亦能針對影片做調速、亮度、飽和度、銳度等做細節調整,創造個人滿意作品。尤其DJI還連袂祭出多種配件,提供不同場景平台搭配安裝使用,同時支援語音控制拍攝等功能。整體綜合性表現與更低入手價格,無疑對GoPro造成威脅,俗話說相互競爭才會進步,對於消費者來說絕對樂觀其成!